Deep Focus

If Eric Dolphy's music were a school of painting it would be analytical cubism: planar and angular, multi-directional and austere,  But it's not abstract.  It's showing us something we know; we are simply experiencing it in a completely new way.  His work, in its frame, becomes an entire reality unto itself.  It's endless. 

 

So what happens when you place this masterly museum piece in a sweaty nightclub?  Does it shine?  Does it wilt?  Does Dolphy change his approach?  Few have examined Dolphy more closely than saxophonist/bandleader/poet/professor Roy Nathanson but we don't know if even Roy has heard the recordings from the WKCR archives that we'll play on Mitch Goldman's Deep Focus this Monday (8/21) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  

 

Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/

 

Did you know that you can find out more about Deep Focus and research past episodes here? https://mitchgoldman.com/about-deep-focus/

 

Photo credit: photographer unknown.

 

#WKCR #DeepFocus #JazzAlternatives #RoyNathanson #EricDolphy #MitchGoldman #JazzRadio #JazzPodcast 

 

If Eric Dolphy's music were a school of painting it would be analytical cubism: planar and angular, multi-directional and austere,  But it's not abstract.  It's showing us something we know; we are simply experiencing it in a completely new way.  His work, in its frame, becomes an entire reality unto itself.  It's endless. 

 

So what happens when you place this masterly museum piece in a sweaty nightclub?  Does it shine?  Does it wilt?  Does Dolphy change his approach?  Few have examined Dolphy more closely than saxophonist/bandleader/poet/professor Roy Nathanson but we don't know if even Roy has heard the recordings from the WKCR archives that we'll play on Mitch Goldman's Deep Focus this Monday (8/21) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  

 

Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/

 

Did you know that you can find out more about Deep Focus and research past episodes here? https://mitchgoldman.com/about-deep-focus/

 

Photo credit: Eric Dolphy courtesy of Prestige Records.

 

#WKCR #DeepFocus #JazzAlternatives #RoyNathanson #EricDolphy #MitchGoldman #JazzRadio #JazzPodcast 

You're Miles Davis.  It's March of 1970 and you're about to release Bitches Brew, your most incendiary album yet.  You have an electric band of young assassins (each of whom will go on to become a legendary bandleader in his own right) and they don't sound like any band anyone has ever heard.  You know you've got the goods.  You're looking for a new audience for this new sound and you get invited to share a bill with a major rock band at the Fillmore East, THE place where the Woodstock Generation is finding its music.  Can you win them over?  What do you hit them with?  

 

Slide trumpeter Steven Bernstein and producer/beatmaster Scotty Hard have both been both relentless shatterers of audience expectations and dedicated fans of Miles Davis, particularly in this phase of his career.   What happens if we put them in the audience for Miles's first night at the legendary Fillmore East?  (and did we mention that it's Wayne Shorter's last gig with Miles?).  

 

Find out Monday (8/7) from 6p to 9p NYC time on Mitch Goldman's Deep Focus on WKCR 89.9FM, WKCR-HD or wkcr.org.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ 

 

Photo credit: publishing info not available.

 

#WKCR #JazzAlternatives #ScottyHard #StevenBernstein #MitchGoldman #DeepFocus #MilesDavis #JazzRockFusion #FillmoreEast #JazzInterview #JazzPodcast #BitchesBrew

 

You're Miles Davis.  It's March of 1970 and you're about to release Bitches Brew, your most incendiary album yet.  You have an electric band of young assassins (each of whom will go on to become a legendary bandleader in his own right) and they don't sound like any band anyone has ever heard.  You know you've got the goods.  You're looking for a new audience for this new sound and you get invited to share a bill with a major rock band at the Fillmore East, THE place where the Woodstock Generation is finding its music.  Can you win them over?  What do you hit them with?  

 

Slide trumpeter Steven Bernstein and producer/beatmaster Scotty Hard have both been both relentless shatterers of audience expectations and dedicated fans of Miles Davis, particularly in this phase of his career.   What happens if we put them in the audience for Miles's first night at the legendary Fillmore East?  (and did we mention that it's Wayne Shorter's last gig with Miles?).  

 

Find out Monday (8/7) from 6p to 9p NYC time on Mitch Goldman's Deep Focus on WKCR 89.9FM, WKCR-HD or wkcr.org.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ 

 

Photo credit: Miles Davis - Harvard University, Cambridge, Mass. - 1970 by Robert Houston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Greta Houston.

 

#WKCR #JazzAlternatives #ScottyHard #StevenBernstein #MitchGoldman #DeepFocus #MilesDavis #JazzRockFusion #FillmoreEast #JazzInterview #JazzPodcast #BitchesBrew

 

You're Miles Davis.  It's March of 1970 and you're about to release Bitches Brew, your most incendiary album yet.  You have an electric band of young assassins (each of whom will go on to become a legendary bandleader in his own right) and they don't sound like any band anyone has ever heard.  You know you've got the goods.  You're looking for a new audience for this new sound and you get invited to share a bill with a major rock band at the Fillmore East, THE place where the Woodstock Generation is finding its music.  Can you win them over?  What do you hit them with?  

 

Slide trumpeter Steven Bernstein and producer/beatmaster Scotty Hard have both been both relentless shatterers of audience expectations and dedicated fans of Miles Davis, particularly in this phase of his career.   What happens if we put them in the audience for Miles's first night at the legendary Fillmore East?  (and did we mention that it's Wayne Shorter's last gig with Miles?).  

 

Find out Monday (8/7) from 6p to 9p NYC time on Mitch Goldman's Deep Focus on WKCR 89.9FM, WKCR-HD or wkcr.org.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ 

 

Photo credit: Miles Davis - Harvard University, Cambridge, Mass. - 1970 by Robert Houston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Greta Houston.

 

#WKCR #JazzAlternatives #ScottyHard #StevenBernstein #MitchGoldman #DeepFocus #MilesDavis #JazzRockFusion #FillmoreEast #JazzInterview #JazzPodcast #BitchesBrew

 

The future that Sun Ra sang of has arrived in so many ways.  No one knows this better than the musicians who made the music with him.  Ahmed Abdullah was part of Sun Ra's Arkestra for more than 20 years and his insights about that time could fill a book.  In fact, they have.  "A Strange Celestial Road" is newly released and Ahmed joins host Mitch Goldman to discuss it on this week's Deep Focus. 

 

Monday night 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD and wkcr.org.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/

Special bonus: Tuesday 7/25 at 7pm Mitch Goldman interviews Ahmed Abdullah about "A Strange Celestial Road" at Strand Books at 828 Broadway in Greenwich Village.  The event is free and open to all.  

Photo credit: Sun Ra - Collection of the Smithsonian National Museum of African American History and Culture -  Gift of David D. Spitzer

 

#WKCR #SunRa #AhmedAbdullah #JazzAlternatives #MitchGoldman #DeepFocus #SunRaArkestra #AStrangeCelestialRoad #BlankForms #JazzInterview #JazzPodcast #LoftJazz #FreeJazz

The future that Sun Ra sang of has arrived in so many ways.  No one knows this better than the musicians who made the music with him.  Ahmed Abdullah was part of Sun Ra's Arkestra for more than 20 years and his insights about that time could fill a book.  In fact, they have.  "A Strange Celestial Road" is newly released and Ahmed joins host Mitch Goldman to discuss it on this week's Deep Focus. 

 

Monday night 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD and wkcr.org.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/

Special bonus: Tuesday 7/25 at 7pm Mitch Goldman interviews Ahmed Abdullah about "A Strange Celestial Road" at Strand Books at 828 Broadway in Greenwich Village.  The event is free and open to all.  

Photo credit: Sun Ra and Mitch Goldman by Andy Hill

 

#WKCR #SunRa #AhmedAbdullah #JazzAlternatives #MitchGoldman #DeepFocus #SunRaArkestra #AStrangeCelestialRoad #BlankForms #JazzInterview #JazzPodcast #LoftJazz #FreeJazz

The future that Sun Ra sang of has arrived in so many ways.  No one knows this better than the musicians who made the music with him.  Ahmed Abdullah was part of Sun Ra's Arkestra for more than 20 years and his insights about that time could fill a book.  In fact, they have.  "A Strange Celestial Road" is newly released and Ahmed joins host Mitch Goldman to discuss it on this week's Deep Focus. 

 

Monday night 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD and wkcr.org.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/

Special bonus: Tuesday 7/25 at 7pm Mitch Goldman interviews Ahmed Abdullah about "A Strange Celestial Road" at Strand Books at 828 Broadway in Greenwich Village.  The event is free and open to all.  

Photo credit: Sun Ra - Collection of the Smithsonian National Museum of African American History and Culture -  Gift of David D. Spitzer

 

#WKCR #SunRa #AhmedAbdullah #JazzAlternatives #MitchGoldman #DeepFocus #SunRaArkestra #AStrangeCelestialRoad #BlankForms #JazzInterview #JazzPodcast #LoftJazz #FreeJazz

Who was Joseph Jarman?  A shaman?  A conjurer?  A Buddhist priest?  A poet?  An Aikido sensei?  In the words of his fellow member of the Art Ensemble of Chicago, Lester Bowie, "Well, I guess that all depends on, ah, what you know."  We know that in the universe of this music, which thrives on original thinking, few ranged as far and as free as Jarman.  He brought us songs and stories, large-scale compositions, movement, theatricality, costumes and confrontation, along with collaborations and improvisations on every member of the woodwind family (as well as those "little instruments").  With Jarman, walls turned into windows, windows into doors, and those doors flew off their hinges.   So what's out there on the other side?

 

Is it any surprise that William Hooker is summoning Jarman for this week's Deep Focus? An improvising drummer who puts all his food on the same plate, composing spontaneously for silent films, collaborating with DJs and rockers, exploring architecture and futurism and tribal traditions... hungry for the world.  No, this one is gonna fly like hot lava from a volcano.  

 

This Monday (7/10) from 6p to 9p on WKCR 89.9FM and WKCR-HD in NYC, wkcr.org on the web.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/

 

#WKCR #JazzAlternatives #DeepFocus #WilliamHooker #JosephJarman #AEC #AECo #ArtEnsembleofChicago #JazzRadio #JazzInterview #JazzPodcast

 

Photo credit: fair use. 

Who was Joseph Jarman?  A shaman?  A conjurer?  A Buddhist priest?  A poet?  An Aikido sensei?  In the words of his fellow member of the Art Ensemble of Chicago, Lester Bowie, "Well, I guess that all depends on, ah, what you know."  We know that in the universe of this music, which thrives on original thinking, few ranged as far and as free as Jarman.  He brought us songs and stories, large-scale compositions, movement, theatricality, costumes and confrontation, along with collaborations and improvisations on every member of the woodwind family (as well as those "little instruments").  With Jarman, walls turned into windows, windows into doors, and those doors flew off their hinges.   So what's out there on the other side?

 

Is it any surprise that William Hooker is summoning Jarman for this week's Deep Focus? An improvising drummer who puts all his food on the same plate, composing spontaneously for silent films, collaborating with DJs and rockers, exploring architecture and futurism and tribal traditions... hungry for the world.  No, this one is gonna fly like hot lava from a volcano.  

 

This Monday (7/10) from 6p to 9p on WKCR 89.9FM and WKCR-HD in NYC, wkcr.org on the web.  Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/

 

#WKCR #JazzAlternatives #DeepFocus #WilliamHooker #JosephJarman #AEC #AECo #ArtEnsembleofChicago #JazzRadio #JazzInterview #JazzPodcast

 

Photo credit: fair use.